LET'S WATCH HATHARA MAHA 'NIDHANAYA' IN 'RANMINITHENNA' ................... A Message to the worldly creators of world cinema

(Please note that i have no intention to harm anyone and if you feel that it happens in my writing i ask you to 'trust me' and that is purely 'due to lack of understanding' of the some of the current social or political situations of the society i live. i say please pardon me if i have done something/harm even unintentionally or 'unknowingly' .............. if i personally feel that i have done something unknowingly after reading what i wrote even sometime after i do not hesitate to correct them). 

Treasurer is a treasured title. That generally has lot to do with trust. Building trust in this field is not easy. Cinema is not just an entertaining entrance to the world. There is a lot within. We see only the ‘outcome’ we sometimes do not see ‘the inputs’.  The used cameras are ‘the ladder that connects with the heart of the script, director, the producer, the artist, the lyrists, the locations, the actors/actresses (who sometimes contribute 'voicing' only),  the groups behind the screen are not seen on the wide screen, but of course their names were written clearly. 

They are the people who understand the lines and length, some of course has no problems in understanding the machine of magic and  the things like ‘what has used to create the magic on wide screen’ etc just by reading the things and the colours that written on the screen using different shapes and sizes. For others like me it is not possible.

‘Nidhanaya’ is something that we have vital, treasured and owned by the country.  We need to protect this Nidhanaya from the ‘nidan horu’ ‘the thieves of the treasure’.

Amongst all what we have ‘SIR LESTER JAMES PIERIS the owner and the authorized treasurer of cinematographic ‘NIDHANAYA’ the most treasured personalities in the Sinhalese Cinema, shines above all.

Who needs explanations from a person like me all knows and known him for years and decades in this celluloid world.  Let me not forget the other treasures that he gifted to the cinema of our country and no doubt to the world cinema.

No one can steal his Nidhanaya from him or from the country that it owns.  The most sulalitha sundara genu lamaya of our cinema Ms. SUMITHRA pieris will assists him and protect both the treasures from all who wants to steal the ‘camera, action cut’ of his style. 

his style is unique and that for others follow or to imitate or to insult is not possible at all. everyone is unique and have their own ways of touching different areas of life or life of creativity for 'stealing'  he has not kept any spaces or rooms in any of the ‘screened house full creations’  

The ‘Wide angle’ of his style creations brings ‘wider thoughts’ in to any ‘heart reels of his style cinema’. Amongst them the ‘very broad thinkers, ‘cinematographic’ ‘viewers’, the fans holds a huge space within his heart or the truth is that they have a huge space in their hearts ‘un-doubtfully.

Very sincere, very cinematic ‘Cine maya’  brings all realities before your door step of the houses of cinema in a very heartiest way.

G.M Samadanam the proud producer of this production ‘Nidhanaya’ brought ‘samadanam’ ( peace) in to and between all arts associations of Sinhalese cinema just by producing and donating such an creation it is an indescribably important method of ‘saving’ for the future cinematographers, and for the whole world. This particular production already has captured the attention of the universal of cinema. 

The most unforgettable dialogues of sir Tissa Abeysekara, unbelievably indescribable, amazingly memorable musical compositions of maestro Kemadasa mark that no other master can compete for sure. he is different in cinema.

How come sir that you thought of writing such a short yet a very long memorable story in the not very shorter way G.B. Senanayake? Is it the magic of your words or the story that your mind captured the inner pages of heart books of humans and humanity?

The two Fonseka’s of unforgettable cinema ‘ Malini and Gamini’ do you think that I have learnt enough of words to describe their indescribably talented unique way of acting ? No, Never? Needs to learn more and more words to obtain such talents, I believe.

The guardian of Sinhala cinema the ‘The national film corporation’ I am sure must have done something, taken some actions, following some procedures to protect this Nidhanaya for the benefit of everyone without thinking twice. And in the future the ‘directors to be’ will follow the steps he has taken no doubt and will have no complain against the very corporative corporation of films of the country.

The film locations institutions ‘I hope you have innovated enough of ‘the best locations of our country that suits for any cinematographic creation’ and have you saved all those in a safe place for future purposes?

We need to ‘think of improving Sinhalese cinema groups’ to improve the sector. 
I guess if you have already decided to forget  ( the producers of our country) producing any other films, creations after producing ‘one’ creation you can not just stop there. i like to ask you Please move on and do not forget the industry needs such cooperation of kind hearts. Here I am thinking of the ‘Randeniya’ family also.  

‘ daruwane of Daruwane’ you must one day or any day spend some time to watch ‘Nidhanaya’.  The  ‘school vacations’ are great for such things. Keep that in mind alright.

So You finished your exams by now right A/L ? forget the scores for sometime and wait patiently until you get the results until then i suggest that you should watch Nidhanaya Daruwane to have some peace of mind, to ease your mind, to release some good thoughts in the air watching a good movie will help in many ways for a healthy life. Learn something from them, feel the ‘wonder of ideas of the giants of cinema’.

The art of concentration is cinema I like to think that way.  We have good quality cinema halls in the country now compared to the past ‘putuwala inda gattama den makuno kanne neha’ I know that I have not heard of such complaints recently. Have you got any complaints against maintaining good quality cinema halls?

After watching ‘Aba’ a different quality ‘Nidhanaya’/treasure of historical cinema ‘sorry’ I thought of using this explanation may be my way of explaining will not give the fullest and a complete ‘explanation’ of such  a creation even after watching many times over your way of talking and discussing the 'history’, the giant characters of past in a very artistic way. ‘Aba is truly a nidhanayak.

I do not think that I have learnt enough to explain or understand the ‘all treasures’ of Sinhalese Cinema but refreshing our minds on such things I believe is essential.

Thank you for the marvelous film location ‘Ranminithenna’,

The tele -cinema village’ 'the world please come and try to understand the magic of already created locations of world cinema’  

 THIS IS A MESSAGE TO ALL OF YOU ................ the all type magicians of world cinema including the neighboring, long distance, far away creators 

including Mr Bansali, Bhatt, 

Hello ‘slum dog millionaire’ visit ‘ranminitenna’ i like to request and experience the ‘beyond slums’ realities of nature. 'what is the next price money' if anyone wants to win and become a millionaire. it is not the area you live it is not the country you were born 'the talents' and skills that is everywhere to be found. in slums, near mountains, near forests, within dry or wet area, near chena, coastal areas, every where and everywhere everyone is got some or many talents.      

And ‘ALL HOLLYWOOD creativity teams’ why wait come search and touch some difference in this soil of my country. hope you are ready to visit our country.

The ‘whole world cinema teams’ multi talented creators’ this is a message from my country fans of your cinema ‘we got not only talents but also locations you surely will not forget.

Thank you ……………………..